Texts

Selected recent texts, papers, presentations and exhibitions

2023     ‘Commands Prompts and Gestures: Understanding Generative AI as an Apparatus’, paper presented and published in proceedings at the 26th Generative Art Conference, Rome

2022     ‘Regulating Observers: Visuality and the Influence of Scopic Regimes on the Experience of Virtual Space’, paper presented and published in proceedings at the 25th Generative Art Conference, Rome https://generativeart.com/papersGA2022/2022/Christopher%20Fry%20ebook2022-15.pdf

2022    ‘Transforming Practices: a practice-based research approach to teaching emerging media at undergraduate level’, Dr Christopher Fry and Dr Julie Marsh, paper presented at ISEA2022, Barcelona

2021    ‘Manual_Assembly’, included in the ‘Encounters with Incomprehension’ pavilion, The Wrong Biennale: https://www.are.na/encounters-with-incomprehension/nihilism-is-still-not-very-coherent

2021     ‘Encounters with Errors: How the error shapes relationships with digital media practice’, paper presented and published in proceedings at the 24th Generative Art Conference, Cagliari, Italy, https://generativeart.com/GA2021/papers/GA2021_proceedings_web.pdf

2021     ‘Extramissionary Drawing: exploring the experience of virtual space’, text and work in: ‘Cartographies of the Imagination: Drawing as World Building’, Kirsty Badenoch and Sayan Skandarajah (Eds.)

2020     ‘Certainty and Fragility: Reassessing the role of automatically generated aids to the making process’, paper presented and published in proceedings at the 23rd Generative Art Conference, Milan https://generativeart.com/reserved_to_participants/07_C_FRY.pdf

2019     ‘Visuality and the Haptic Qualities of the Line in Generative Art’, paper presented and published in proceedings at the 22nd Generative Art Conference, Rome https://www.generativeart.com/GA2019_web/10_C_Fry_2_168x240.pdf

2019     ‘The Benefits of a Research Oriented Approach to Teaching and Learning and Undergraduate Level’, paper presented at the Researcher Matters Conference, University of Westminster, London

2019     ‘Selfie’, selected for Wells Art Contemporary group exhibition, Wells

2018     ‘Enchanting Algorithms’, paper presented and published in proceedings at the 21st Generative Art Conference, Verona https://www.generativeart.com/GA2018_papers/GA2018_Christopher%20Fry.pdf

2017     ‘Making Drawings Make Sounds’, public engagement workshop, Jerwood Space, London

2017     ‘G-in-Sunglasses.mov’, selected for Jerwood Drawing Prize touring group exhibition

2016     ‘Manual Assembly’, selected for Jerwood Drawing Prize touring group exhibition